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Between and Mortarboard

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416 UMMA Objects
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This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
On a long white horizontal piece of paper are two outlines of geometric shapes weaving in and out of each other. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.55
On a long horizontal piece of white paper is a brown square on the right. Within the square are vertical wavy lines with alternating horizontal stripes. 
Josef Albers (American (North American))
Articulation: Formulation
1972
Gift of the Marvin Felheim Collection
1983/1.336.56
Abstracted, organic shapes in black and gray tones flow through the top three-fourths of the composition. Some small, thumbnail like lines are embedded into the shapes in the center right. A small reddish-colored shape is in the middle of the composition.
Don Fink
Apollo - Series II
20th century
Gift of Herbert and Nancy Berhard.
1976/2.95
Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted in a semi-gloss black and matte white.
Dame Barbara Hepworth (British (modern))
Sphere with Colour (Grey and White)
1965
Museum Purchase
1967/1.43
Abstracted human figure reclining on its side. Eight strings resembling the strings of a harp extend from the chest area to the hip.
Henry Moore (British (modern))
Stringed Reclining Figure
1939
Bequest of Florence L. Stol
1968/1.98
Drawing on paper of abstract structure.  Pyramid shaped base supports spiraling and circular elements. 
Seymour Lipton (American (North American))
Untitled (Study for 'Defender')
1963
Gift of an Anonymous Donor
1968/2.71
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3

Garo Zareh Antreasian
Untitled
1962
Museum Purchase
1964/1.116
This print is made up of overlaying photographs in a reddish-orange tint. Spots of red also overlap each other, and the photographs, and there is a large horizontal swath of a deeper red along the top. The print is editioned, signed and dated in pencil (l.r.) &quot;31/36 RAUSCHENBERG 1962&quot;.
Robert Rauschenberg (American (North American))
Stunt Man III
1962
Gift of Mr. and Mrs. Samuel Sachs II
1964/1.88
This abstract composition of layered geometric shapes shows a large yellow rectangle on the left and a black rectangle on the right forming the base/background layer. On top of them is another yellow rectangle of a slightly darker shade and a thin rectangular box to the right. One horizontal rectangle divides the top third of the composition.
El Lissitzky (Russian (culture or style))
From Proun
1923
The Paul Leroy Grigaut Memorial Collection
1969/2.55
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